If you had told me I would end up painting for a living when I was 17, I would have assumed you meant houses or cars. The idea of creating a representational image out of pigments suspended in linseed oil was so far removed from what I thought I was meant to do in life.

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Most other artists I know tell stories of ceaselessly drawing as children and never stopping. Drawing was something I was dragged into against my will. Once I stopped grumbling about it and tried to make the best of the situation, I discovered an unrealized passion. It is funny how a seemingly insignificant high school elective can change your life for the better.

At that point in my life I was set on making the big bucks in the glamorous field of software engineering, so when I learned in order to graduate I had to take an art elective instead of a programming course, I was not happy. I chose animation as the elective; over the course of that semester, I found that I enjoyed drawing. I was also introduced to a few 3D animation programs, for which I developed an affinity. I eventually decided that animation would be a lot more fun than writing code.

In the five years that followed, I studied at a local community college and later at Cogswell Polytechnical College, earning a degree with honors in Digital Arts and Animation. Throughout the years it became evermore apparent that 3D animation was not quite what I wanted to devote my career to. I was slowly spending more and more time and effort on my traditional drawing, painting, and sculpting courses and less time building wire frames on the computer. By the time I was ready to graduate my goals had once again changed. All the years of required art courses and a few influential and supportive professors had made their mark: I was undeniably hooked.

I moved back to San Diego after graduating in 2005 and enrolled at Watts Atelier of the Arts. Free from the constraints of term papers and physics tests, and in a wonderful artistic environment, I began spending almost every waking moment I could spare on a drawing bench or in front of an easel. I have been here for two years learning and honing traditional artistic skills, building a body of work, and pursuing a career in freelance illustration, and I hope to do so for the rest of my life.

- Mike